Under the baton of the talented Finnish conductor Santtu-Matias Rouvali, the Gothenburg Symphony Orchestra performs Modest Mussorgsky's Pictures at an Exhibition. Recorded at Gothenburg Concert Hall, on February 8, 2017.
The suite Pictures at an Exhibition was originally composed for the piano by Russian composer Modest Mussorgsky in 1874, as a homage to his friend Viktor Hartmann, the architect and painter. This suite of ten pieces is Mussorgsky's most famous piano composition and has become a showpiece for virtuoso pianists. It has become further known through various orchestrations and arrangements produced by other musicians and composers, with Maurice Ravel's orchestration being the most recorded and performed.
Modest Mussorgsky (1839-1881)
♪ Pictures at an Exhibition (1874) / Orchestration by Maurice Ravel (1922)
iv. The Old Castle
ix. Ballet of the Chicks in Their Shells
x. Samuel Goldenberg and Schmuyle
xi. The Market at Limoges
xii. Catacombs (Sepulchrum romanum)
xiii. Cum mortis in lingua mortua
xiv. The Hut on Fowl's Legs (Baba-Yaga)
xv. The Great Gate at Kiev
Gothenburg Symphony Orchestra
Conductor: Santtu-Matias Rouvali
Gothenburg Concert Hall, February 8, 2017
Pictures at an Exhibition, musical work in 10 movements by Russian composer Modest Mussorgsky that was inspired by a visit to an art exhibition. Each of the movements represents one of the drawings or artworks on display. Although originally composed in 1874 for solo piano, Pictures became better known in orchestral form, particularly as arranged by French composer Maurice Ravel in 1922. The work was also orchestrated by other composers, such as Sir Henry J. Wood (1918), Leopold Stokowski (1939), and Vladimir Ashkenazy (1982). In 1971 the British popular music group Emerson, Lake and Palmer devoted an entire album to their own art-rock interpretation of the piece.
Mussorgsky composed Pictures as a memorial to his friend, the Russian artist Viktor Hartmann, who had died in 1873 at age 39. Shortly after the artist's death, Mussorgsky visited a retrospective exhibit of Hartmann's sketches, stage designs, and architectural studies and felt the need to capture the experience in music. By early summer 1874, he had completed the work, a lengthy and fiendishly difficult suite for solo piano. At the time of Mussorgsky's death in 1881 from alcoholism, the piece had been neither performed nor published. It fell to his friend and colleague Nikolay Rimsky-Korsakov to tidy up the manuscript and bring it to print in 1886.
The suite consists of musical depictions of 10 paintings by Hartmann, interspersed with a recurring "Promenade" theme, or intermezzo, that represents a visitor – in this case, the composer himself – strolling through the exhibition. The powerful nature of the intermezzi, Mussorgsky acknowledged in one of his letters, reflects his own large physique.
Following the opening "Promenade", the first four movements, or "pictures", in order of appearance, are: "The Gnome", a depiction of an awkward dwarf conveyed through irregular rhythms and forceful outbursts; "The Old Castle", a solemn and lyrical portrayal of a medieval troubadour singing on the grounds of a grand castle; "Tuileries", a sprightly sketch of children at play in the well-known Tuileries Gardens in Paris; and "Cattle", a ponderous characterization of the lumbering of a large Polish ox cart.
The scampering fifth movement, "The Ballet of Unhatched Chicks in Their Shells", represents a costume design by Hartmann for a children's ballet. The sixth scene evokes an image of "Two Jews: One Rich, One Poor" through the interplay of a strident melody in the lower register and a twittering chantlike theme in the upper. The folksy and cheerful quality of the seventh movement, "The Market at Limoges", is neutralized by the eighth, "The Catacombs", which casts an eerie shadow with ominous chords and variations on the recurring intermezzo.
The last two scenes of Pictures at an Exhibition are the most renowned. "The Hut on Fowl's Legs" is a nightmarish portrayal of the cackling witch Baba-Yaga on the prowl for her prey. She charges – bounding in a virtuosic passage in octaves – right into the tenth and final picture, "The Great Gate of Kiev". With a depiction of Hartmann's sketch of a proposed city gate topped by cupolas in which carillons ring, Mussorgsky brings the piece to a majestic close.
Source: Betsy Schwarm, 2016 (britannica.com)
Modest Mussorgsky: Pictures at an Exhibition – Gothenburg Symphony Orchestra, Kent Nagano (HD 1080p)
Santtu-Matias Rouvali – All the posts
Gothenburg Symphony Orchestra – All the posts